Translation Back in "Poetry"

Cover of Poetry (June 2011) / Image courtesy of the Poetry Foundation

Today is one of those days when I’m happy to be proven wrong: I wrote last month about the apparent demise of Poetry’s annual translation issue, but when I picked up my mail today, I found a fresh copy of the magazine with the welcome words “The Translation Issue” emblazoned on its cover.

The issue contains some familiar names and some not-so-familiar ones—both among the poets and the translators—and Flaxen readers will likely want to start with Philip Metres and Dimitri Purstsev’s translations of poems by Arseny Tarkovsky (the director’s father) and Stephanie Sandler’s translations of Elena Shvarts—the ones I’ve been waiting for. (On the Poetry website, both poems are conflated as one, and "Shvarts" is spelled "Shvartz." The second poem begins with the phrase "I was thinking.") The issue also includes translations by H.L. Hix and Jüri Talvet of Estonian poet Juhan Liiv. And to give a local plug, Olympia poet Lucia Perillo is represented here with a translation of a Rilke poem (“Song of the Dwarf”).

The editors of the magazine have moved their translation issue from April to June, but that too seems like an improvement. What better month than June to lie around reading poems in translation? For an academic like me, it’s the freest, rosiest month of the year. I look forward to spending more time not only with the poems, but with the translators’ notes, which always harbor gems of practical wisdom. Let’s hope the editors give us the same opportunity in 2012.

Translation in "Poetry"

Detail of cover for "Poetry," April 2006 (Nathan Theis, "Voice") / Image courtesy of the Poetry Foundation

For a few years, there was no periodical publication I awaited more eagerly than Poetry’s annual translation issue. It came out each April, and it contained work by major poets in translations done by some of the best literary translators working today. From 2006 to 2009, I would open the April issue and encounter poems from familiar voices and new ones alike: Marina Tsvetaeva in a translation by Sasha Dugdale, Saadi Youssef by Khaled Mattawa, Rainer Maria Rilke by David Ferry, Nuala Ní Dhomhnaill by Paul Muldoon, and Osip Mandelstam by John High and Matvei Yankelevich, just to name a few of my favorites.

Alas, those days are no more. I’m not foolish enough to hazard a guess at what went through the minds of the editors and publisher of Poetry, but for whatever reason, they chose to stop putting out the April translation issue. Still, the magazine has been including more and more translations in their regular issues. Last month’s pages contained translations of work by three writers, including a spellbinding set of poems by the fifteenth-century Indian poet Kabir (translated by Arvind Krishna Mehrotra), and the April issue features John Ashbery’s translations of prose poems by Arthur Rimbaud. In Poetry’s podcast for the current issue, the editors asked Ashbery why he had decided to translate the nineteenth-century Frenchman, and he replied, “I was just translating it originally for the pleasure of doing it, as I sometimes do with French poetry, and perhaps as a kind of exercise to see if it might have some kind of impact on my own poetry.”